On our way back from the north, we stopped at Kintampo Falls - the most beautiful waterfall I ever saw. We all got in and climbed all around like ants. The water was so powerful; I forgot that water could be that strong.
Once officially on the tour, we started in Cape Coast, which is tourist central in Ghana, especially because it's right on the gorgeous Gulf of Guinea.We had class on the rooftop of our hotel that overlooked the ocean, enjoyed the beach, and traveled around the city.
The Gulf of Guinea at sunrise
A fishing boat by the Gulf
The Atlantic Ocean at sunset
Cape Coast is also where the slaves were taken during the Transatlantic Slave Raids, so we went to two castles (dungeons). It was extremely powerful in ways that I can't really adequately describe, which seems to happen to me a lot on this blog. Going into the isolation cells where the slaves were kept, you could barely breath because the air was so thick. In Cape Coast Castle (dungeon), there was a church for the English officials and governor to attend that was quite literally on top of the dungeon where 800 male slaves were kept in darkness with minimal to no food. It's honestly the strangest juxtaposition of two dichotomous worlds.
The male slave dungeon entrance at Cape Coast Castle (dungeon)
The view from the Governor's Quarters
El-Mina Castle (dungeon): Basically the exact same as Cape Coast, but built by the Portuguese, not the British
Also while we were in Cape Coast, we all did a canopy walk through the treetops Ghana's rainforest at Kakum National Park. As I'm sure you all know all too well, I'm deathly afraid of heights, but I absolutely loved the walk...when the bridge walkway wasn't moving. It was incredible nonetheless, though sometimes absolutely terrifying in the same moment.
Canopy walk views from Kakum National Park
After we left Cape Coast, we went straight for the Volta Region, where bounced around three villages in nine days. We started in Dagbamete, where we traveled to try some Kente weaving. Kente is highly treasured in Ghana and one of the most worn and replicated patterns throughout the country and has been for centuries. It's woven in a man-operated loom that incorporates both hands and feet.
We then traveled to Sogakope and saw more dance and drum groups and traveled to a nearby village, Vume, to do traditional pottery (ie - without a throwing wheel) by the Volta River.
Claire and Dan dancing with two girls from the women's dance and drum group
The two demonstrators at Vume beginning their pots
Ariel and I after finishing the tops of our pots
The view of the Volta River from where we were doing pottery
From there, we went to another village, Krobo-Odumase, which is the home of beadwork in Ghana. We met with a group of Queen Mothers and learned about the Dipo tradition for young girls. Dipo is an initiation, coming-of-age process and apparently one of the only coming-of-age traditions still left in Ghana.
Five Krobo girls dancing, demonstrating the different types of dress during each stage of Dipo
Broken glass in a mold, almost ready for firing
A mixture of the painted and plain beads after stringing